The pacing is just slightly off in The Family Upstairs, mostly when a character alludes to their Big Secret and then tries awkwardly to drop the subject. (This is my least favorite way to build suspense.) But there are so many twists and skillful misdirections that I loved it anyway. There’s a real question of complicity throughout this story, as we see characters pushed to take more and more disturbing actions, often because there aren’t any good choices or because everything is already so far off the rails that these disturbing choices kind of make sense. There’s a character who’s completely evil, and then there’s kind of an orbit of people either actively helping him or passively enabling him, or they could be aware of his evil, if they looked closer. I think that’s much more frightening than direct evil, personally, because it feels more possible.
I just loved the twists, with disturbing surprises right up until the very last page.
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